ARMIDA

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ARMIDA

Music by Joseph Haydn
Libretto taken from Antonio Tozzi's 1775 opera 'Rinaldo', as amended by Nunziato Porta • JANUARY 25, 28, 31, FEBRUARY 2, 2025

 

All’s fair in love and war

To prevent the capture of Jerusalem by the knights of the First Crusade, The Prince of Darkness has sent the enchantress Armida into the world to seduce the Christian heroes and turn them from their duty. The bravest of these, Rinaldo, has fallen under Armida's spell. But, to her surprise, she becomes enchanted by him as well. She comes to love him so deeply that she cannot bring herself to destroy him. For both, duty clashes with desire. As war rages around them, will love conquer them both?

Containing some of Haydn’s most inspired music, not only is Armida Haydn’s most highly regarded opera, but the composer himself referred to it as his best work.

These will be Pittsburgh Opera's first performances of Armida. Pittsburgh Opera will mount a new production.

PERFORMANCE DATES/TIMES/LOCATION
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Where: Four performances at Pittsburgh CAPA School Theater, Downtown

When:

  • Saturday, January 25, 2025  * 8:00 PM
  • Tuesday, January 28, 2025  * 7:00 PM
  • Friday, January 31, 2025  * 7:30 PM
  • Sunday, February 2, 2025  * 2:00 PM
CAST AND ARTISTIC TEAM
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Michael Chioldi photo credit Peter Konerko

Armida: Lauryn Davis*+

Erik Nordstrom

Ubaldo: Erik Nordstrom*

Audrey Welsh Headshot 2024SmallSquare

Clotarco: Audrey Welsh*

Shannon Crowley

Zelmira: Shannon Crowley*

Conductor: Antony Walker 
Stage Director: Haley Stamats**
Set Designer: Kejia Yu 
Costume Designer: Yinxue Wang 
Wig and Make-up Designer: TBA
Lighting Designer: Mary Ellen Stebbins
Stage Manager: TBA
Assistant Conductor: Glenn Lewis
Director of Musical Studies: Mark Trawka
Associate Coach/Pianist: James Lesniak
Resident Artist Pianist:  Maeve Berry*
Assistant Stage Director:  Dana Kinney*
Assistant Stage Manager: Tess Naval

+    Pittsburgh Opera debut
*    Pittsburgh Opera Resident Artist
**   Pittsburgh Opera Resident Artist alumni

SYNOPSIS
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To prevent the capture of Jerusalem by the knights of the First Crusade, The Prince of Darkness has sent the enchantress Armida into the world to seduce the Christian heroes and turn them from their duty. The bravest of these, Rinaldo, has fallen under Armida's spell. She comes to love him so deeply that she cannot bring herself to destroy him.

Act 1
Scene 1: A council chamber in the royal palace of Damascus. King Idreno is alarmed that the crusaders have crossed the Jordan River. The heathen sorceress Armida seems to have triumphed over the crusaders, but fears that her conquest is not complete without gaining the love of the Christian knight Rinaldo. Now Rinaldo is obsessed with Armida and promises to fight against his fellow Christians, if victorious King Idreno offers him the kingdom and Armida’s hand. Armida prays for Rinaldo’s safety.

Scene 2: A steep mountain, with Armida's fortress at the top. The knights Ubaldo and Clotarco plan to free Rinaldo from Armida’s clutches. Idreno sends Zelmira, the daughter of the sultan of Egypt, to ensnare the Christians but on encountering Clotarco she falls in love with him and offers to lead him to safety.

Scene 3: Armida's apartments. Rinaldo admires the bravery of the approaching knights. Ubaldo warns Rinaldo to beware Armida's charms, and reproaches the dereliction of his duty as a Christian. Although remorseful, Rinaldo is unable to escape Armida's enchantment.

Act 2
Scene 1: A garden in Armida's palace. Zelmira fails to dissuade Idreno from planning an ambush of the crusaders. Idreno pretends to agree to Clotarco's demand that the Christian knights enchanted by Armida be freed. Reluctantly, Rinaldo leaves with Ubaldo. Armida expresses her fury.

Scene 2: The crusader camp. Ubaldo welcomes Rinaldo, who prepares to go into battle. Armida begs for refuge and Rinaldo’s love. Rinaldo departs for battle with Ubaldo and the other soldiers.

Act 3
Scene 1: A dark, forbidding grove, with a large myrtle tree. Rinaldo, knowing that the tree holds the secret of Armida’s powers, enters the wood intending to cut it down. Zelmira appears with a group of nymphs, and they try to get him to return to Armida. As he is about to strike the myrtle, Armida, dishevelled, appears from it and confronts him. Armida cannot bring herself to kill him; Rinaldo strikes the tree and the magic wood vanishes.

Scene 2: The crusader camp. The crusaders prepare for battle against the Saracens. Armida appears, swearing to pursue Rinaldo everywhere. As Rinaldo moves off, she sends an infernal chariot after Rinaldo.

 

Courtesy of Pinchgut Opera

DETAILS & RESOURCES
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We want you to have the best experience possible at our performances!

Here are some details and resources to help. Also visit our Opera FAQs or our Accessibility page.

CHILD POLICY:

  • Children must be ages 6 and up. Suggestions and tips for bringing children to the opera may be found at pittsburghopera.org/FAQ.
  • All children must have a ticket. There is a 50% discount for kids and teens ages 6-18.