EVAN LAZDOWSKI, BASS-BARITONE
- About
- Seasons
- Tickets
- Support
- Education
- Resident Artists
- Our Team
- Facilities
- Current Media Releases
- Pittsburgh Opera presents drama, intrigue, murder and more this fall
- Pittsburgh Opera announces its 2024-25 Resident Artists
- Pittsburgh Opera's 2024 Piano Sale is Aug. 22-25
- Music Director Antony Walker receives 5-year contract extension
- Pittsburgh Opera celebrates Mary Cardwell Dawson and Black Opera in Pittsburgh
- Pittsburgh Opera to offer free childcare during La Traviata matinee
- Pittsburgh Opera announces its 86th Season
- Pittsburgh Opera announces first of its kind rideshare voucher program
- Pittsburgh Opera presents both old and new operas this winter
- Pittsburgh Opera presents beloved favorites, rare gems, and free concerts this fall
- Pittsburgh Opera announces new Board of Directors President and Members
- Pittsburgh Opera announces its 2023-24 Resident Artists
- Pittsburgh Opera's 2023 Piano Sale is Aug. 24-27
- Robert and Christine Pietrandrea commit $500,000 to sponsor Pittsburgh Opera productions
- Pittsburgh Opera presents two modern operas in May during international opera conference
- Emily Richter a Grand Finals Winner of Metropolitan Opera’s Laffont Competition
- Pittsburgh Opera presents two modern operas in May during international opera conference
Evan Lazdowski is a second-year Pittsburgh Opera Resident Artist in 2023-24. Last season, his roles included Antonio in The Marriage of Figaro and Rè di Scozia in Ariodante. This season, his roles include Thoas, King of Scythia in Iphigénie en Tauride, The Sodbuster in Proving Up, and Marquis d'Obigny in La Traviata.
Praised in Opera News for his “warm, hearty bass-baritone,” Lazdowski’s recent engagements have included The Magic Flute (Papageno, cover; Speaker) at Opera Theatre of Saint Louis as a Gaddes Festival Artist, and Don Giovanni (Il Commendatore) at the Aspen Music Festival as a Renée Fleming Artist. v
2021-22 highlights included Lazdowski’s debuts at Madison Square Garden, singing the national anthem for the New York Rangers; and at Alice Tully Hall, singing selections from Songs of Travel for
Juilliard’s Wednesdays at One series. He was a finalist in Houston Grand Opera’s Concert of Arias and the Dallas Opera National Vocal Competition, and performed Nick Shadow in The Rake’s Progress with Juilliard Opera.
Other full operatic credits include Figaro/Le nozze di Figaro, Figaro/I due Figaro, Capellio/I Capuleti e i Montecchi, Theseus/A Midsummer Night’s Dream, Nourabad/Les pêcheurs de perles, and Guglielmo/Così fan tutte. Lazdowski was a 2021 Encouragement Winner of the Metropolitan Opera National Council Auditions (Upper Midwest Regional Round). He holds a Master of Music degree from The Juilliard School, as well as a Bachelor of Music degree from Manhattan School of Music. Lazdowski has received additional training at Houston Grand Opera’s Young Artists Vocal Academy.
Mr. Lazdowski’s Residency is generously sponsored by Edwin H. Beachler, Esq. and The Bernadette G. Callery Endowed Fund for Resident Artists.
"The bass tones of Evan Lazdowski, as the King of Scotland, were possibly the best heard in his voice type in quite a while." -- onStage Pittsburgh (photo credit: David Bachman)
Evan Lazdowski as Don Basilio in the Student Matinee of The Barber of Seville (photo credit: David Bachman)
Evan Lazdowski as Antonio, the tipsy gardener of The Marriage of Figaro (photo credit: David Bachman)
Evan Lazdowski as Figaro in our Student Matinee of The Marriage of Figaro (photo credit: David Bachman)
Evan Lazdowski as Thoas, King of Scythia in Iphigénie en Tauride (photo credit: David Bachman)
"Bass-baritone Evan Lazdowski brought dignity to his role as king and father." -- Seen & Heard International (photo credit: David Bachman)
