WOMAN WITH EYES CLOSED

Where: The Bitz Opera Factory (Pittsburgh Opera's headquarters), 2425 Liberty Avenue, in Pittsburgh's Strip District

When:

• Saturday, April 26, 2025  * 8:00 PM- ~9:15 PM (approx. end time) Ending One
  Opening Night Reception partially sponsored by Happenstance Café 
  
• Tuesday, April 29, 2025  * 7:00 PM- ~8:15 PM (approx. end time) --> RESCHEDULED Wednesday, April 30, 2025 * 7:30 PM - 8:45 PM Ending Two
• Friday, May 2, 2025 * 7:30 PM- ~8:45 PM (approx. end time) Ending Three
• Saturday, May 3, 2025 * 2:00 PM- ~3:15 PM (approx. end time) Ending One (Preview Audience Choice)
  
• Sunday, May 4, 2025 * 4:00 PM- ~5:15 PM (approx. end time)  Ending Three (Cast Choice)

Conductor: Antony Walker (April 26, 29, May 2, 3, 2025)
Conductor: Glenn Lewis (May 4, 2025)
Stage Director: Kristine McIntyre
Set Designer: Luke Cantarella
Costume Designer: Nancy Julian
Lighting Designer: Todd Nonn
Stage Manager: Tess Naval
Director of Musical Studies: Mark Trawka
Associate Coach/Pianist: James Lesniak
Resident Artist Pianist / Supertitle Caller:  Maeve Berry*
Assistant Stage Director: Dana Kinney*

<sub>+    Pittsburgh Opera debut
*    Pittsburgh Opera Resident Artist
**   Pittsburgh Opera Resident Artist alumni</sub>

Seven priceless paintings have been stolen from the walls of a museum in the dead of the night. The police, the media, and the museum’s curator are desperate to find the culprit. In hopes of avoiding police detection, the thief (Thomas) has carelessly stuffed the stolen masterworks in a suitcase and abandoned them with his unsuspecting his Mother, Mona.

In her son’s absence, the reclusive Mona investigates the contents of the suitcase discovering both the severity of her son’s crime as well as the innate beauty of each masterpiece. One painting in particular (Lucian Freud’s WOMAN WITH EYES CLOSED) awakens something deep inside Mona, shaking her to the very core. The painting bears astriking resemblance to Mona’s Mother, an amateur artist who died when Mona was child. The circumstances surrounding her Mother’s death have reverberated throughout Mona’s life.

The police investigation continues to escalate, bringing an Inspector to Mona’s front door. Though Mona lies to the Inspector, successfully sending him on his way, she also knows that her flimsy deception is merely a temporary fix. The police already have evidence connecting Thomas to the crime. It’s a matter of time before he is apprehended. Mona must act quickly.

Night falls. Mona sleeps. As she dreams, the Freud painting comes to life. Inside a liminal state, Mona and her Mother briefly reunite. Inside this memory, the two women examine the past. They navigate the pain and compromise of a life half-lived, a life starved for color, expression, and connection. Together, they unearth the past trauma that continues to define Mona’s future.

With the dawn comes many burning questions: Can Mona save her son, save herself and save these priceless paintings while simultaneously preserving the memory of her Mother? WOMAN WITH EYES CLOSED is a new opera about creation, destruction and the art of letting go.

- courtesy of the creators

We want you to have the best experience possible at our performances!

Here are some details and resources to help. Also visit our Opera FAQs or our Accessibility page.

• Run time: 75 min
• Content Advisory: This performance includes profanity, simulated violence, and a minor smoke effect.
• Understand Every Word: Understand Every Word: Woman with Eyes Closed is sung in English, with English supertitles are projected above the stage
• Braille Programs available
• Large-Print Programs available
• Download the Study Guide
• View the Digital Program

CHILD POLICY:

• Children must be ages 6 and up. Suggestions and tips for bringing children to the opera may be found at pittsburghopera.org/FAQ.
• All children must have a ticket. There is a 50% discount for kids and teens ages 6-18.

• Review: onStage Pittsburgh - Review: Pittsburgh Opera Premieres ‘Woman With Eyes Closed’
• Review: Classical Voice North America - Intimate Opera Canvas Painted With A Mother’s Crisis Of Resolve, Pain
• Review: Pittsburgh Post-Gazette - 'Woman With Eyes Closed' alternates a frantic pace with moments of artistic bliss
• Broadway World - Photo Flash - WOMAN WITH EYES CLOSED At Pittsburgh Opera
• Tribune Review - Pittsburgh Opera's 'Woman with Eyes Closed' is an enigmatic world premiere with 3 possible endings
• Entertainment Central Pittsburgh -Theater Guide April ’25 
• TABLE Magazine - Woman With Eyes Closed Explores Real Life Art Heist
• onStage Pittsburgh - What’s On Stage Pittsburgh for the week of April 14th to the end of May, 2025
• OperaWire - Pittsburgh Opera to World Premiere ‘Woman with Eyes Closed’
• onStage Pittsburgh - Pittsburgh Opera’s newest world premiere, ‘Woman With Eyes Closed,’ has three different endings [interview with Audrey Welsh]
• Pittsburgh Post-Gazette - A brand new opera about a $100 million, real-life art heist sells out in Pittsburgh
• WESA-FM - Huge art heist provides inspiration for Pittsburgh Opera world premiere in Strip District venue
• KDKA-TV CBS Pittsburgh - Pittsburgh Today Live, April 23rd, Weekend Guide
• NEXTpittsburgh - Things to do this weekend
• Pittsburgh Magazine - See an opera with a surprise ending in the Strip
• NPR.org - Jennifer Higdon won't apologize for writing accessible music

• The Philadelphia Inquirer - Jennifer Higdon’s $130-million heist opera finally premieres after its Philly debut fell through. Twice. [Paywall, but syndicated to MSN.]
• WQED-FM Voice of the Arts podcast interviews
  • Stage Director Kristine McIntyre
  • General Director Christopher Hahn
  • Meredith Arwady (Mona)
  • Audrey Welsh (Curator)
• WQED-FM - Composer Jennifer Higdon live on-air interview with Jim Cunningham
• OperaWire - Artist of the Week: Jennifer Higdon
• Pittsburgh News Channel - Discover the New Opera 'Woman With Eyes Closed' Inspired by a Real Art Heist in Pittsburgh