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Music by Gioachino Rossini, with a libretto by Cesare Sterbini • October 14, 17, 20 & 22, 2023
Benedum Center

Close shaves and cutting comedy.

With scissors as sharp as his wits, the cunning barber Figaro is the go-to neighborhood trickster capable of solving any problem. When Count Almaviva finds himself smitten with the charming and clever Rosina, Almaviva knows exactly who to call to help him out. Through disguises and distractions, schemes and subterfuge, Figaro and Almaviva team up to outwit the dastardly Dr. Bartolo who would have Rosina—and her large fortune—for his own.

From its famous opening overture to its topsy-turvy conclusion, you’ll be cheering for “Figaro! Figaro! Figaro!” to win the day.

Music Director Antony Walker conducts. Gregory Keller directs. 

These performances are sponsored in part by a generous gift from Robert and Christine Pietrandrea, and by The Gailliot Fund.


Where: Benedum Center, at the corner of 7th Street and Penn Ave, downtown Pittsburgh 


  • Saturday October 14, 2023 * 8:00 PM
  • Tuesday, October 17, 2023 * 7:00 PM
  • Thursday, October 19, 2023 * Student Matinee
  • Friday, October 20, 2023 * 7:30 PM
  • Sunday, October 22, 2023 * 2:00 PM
Lunga Eric Hallam Lyric Opera of Chicago

Count Almaviva: Lunga Eric Hallam+

John McCullough photo credit: David Welch

Figaro (Sunday): Johnathan McCullough+

Stephanie Doche

Rosina: Stephanie Doche+

John Moore

Figaro (Saturday & Tuesday): John Moore+

Musa Ngqungwana

Doctor Bartolo: Musa Ngqungwana

Emmett O’Hanlon

Figaro (Student Matinee & Friday): Emmett O’Hanlon+

Brian Kontes

Don Basilio: Brian Kontes

Brandon Bell

Fiorello: Brandon Bell*

Emily Richter

Berta: Emily Richter*

Conductor: Antony Walker
Stage Director: Gregory Keller
Scenic Designer: Steven Kemp
Costume Designer: Howard Tsvi Kaplan
Lighting Designer: Cindy Limauro
Wig & Make-up Designer: James Geier
Production Stage Manager: Cindy Knight
Calling Stage Manager: Victoria Frank+
Assistant Conductor: Glenn Lewis
Chorus Master: Mark Trawka
Associate Coach/Pianist: James Lesniak
Assistant Stage Director: Haley Stamats*
Assistant Stage Managers:  Adrienne Wells and Claire Young

+    Pittsburgh Opera debut
*     Pittsburgh Opera Resident Artist
**   Pittsburgh Opera Resident Artist alumni


Scenery and props provided by the New Orleans Opera Association
Costumes provided by Sarasota Opera Association, Inc.


We want you to have the best experience possible at our performances!

Here are some details and resources to help. Also visit our Opera FAQs or our Accessibility page.

  • Run time: Currently expected to be approximately 2 hours, 45 minutes, which includes one 25-minute intermission
    • Act I – 90:00
    • Intermission – 25:00
    • Act II – ~50:00
  • Understand Every Word: The Barber of Seville is sung in Italian with English texts projected above the stage
  • Parking Downtown: get real-time parking availability
  • Pre-Opera Talks before each performance
  • Braille Programs available at The Benedum Center
  • Large-Print Programs available to download and available at The Benedum Center
  • Download the Study Guide
  • Watch the video of Opera Up Close - Pittsburgh Opera Director of Artistic Operations Robert Boldin chats with maestro Antony Walker, Stage Director Gregory Keller, and cast members Johnathan McCullough (Figaro), Stephanie Doche (Rosina), and Musa Nqungwana (Dr. Bartolo) about the production


  • Children must be ages 6 and up. Suggestions and tips for bringing children to the opera may be found at
  • All children must have a ticket. There is a 50% discount for kids and teens ages 6-18.



Count Almaviva comes in disguise to the house of Doctor Bartolo and serenades Rosina, whom Bartolo keeps confined to the house. Figaro the barber, who knows all the town’s secrets and scandals, explains to Almaviva that Rosina is Bartolo’s ward, not his daughter, and that the doctor intends to marry her. Figaro devises a plan: the count will disguise himself as a drunken soldier with orders to be quartered at Bartolo’s house so that he may gain access to Rosina. Almaviva is excited and Figaro looks forward to a nice cash pay-off.

Rosina reflects on the voice that has enchanted her and resolves to use her considerable wiles to meet the man it belongs to—as Almaviva has led her to believe, a poor student named Lindoro. Bartolo appears with Rosina’s music master, Don Basilio. Basilio warns Bartolo that Count Almaviva, who has made known his admiration for Rosina, has been seen in Seville. Bartolo decides to marry Rosina immediately. Basilio suggests slander as the most effective means of getting rid of Almaviva. Figaro, who has overheard the plot, warns Rosina and promises to deliver a note from her to Lindoro. Bartolo suspects that Rosina has indeed written a letter, but she outwits him at every turn. Bartolo warns her not to trifle with him.

Almaviva arrives, creating a ruckus in his disguise as a drunken soldier, and secretly passes Rosina his own note. Bartolo is infuriated by the stranger’s behavior and noisily claims that he has an official exemption from billeting soldiers. Figaro announces that a crowd has gathered in the street, curious about the argument they hear coming from inside the house. The civil guard bursts in to arrest Almaviva, but when he secretly reveals his true identity to the captain he is instantly released. Everyone except Figaro is amazed by this turn of events.



Bartolo suspects that the “soldier” was a spy planted by Almaviva. The count returns, this time disguised as Don Alonso, a music teacher and student of Don Basilio, to give Rosina her singing lesson in place of Basilio, who, he says, is ill at home. “Don Alonso” then tells Bartolo that when visiting Almaviva at his inn, he found a letter from Rosina. He offers to tell her that it was given to him by another woman, seemingly to prove that Lindoro is toying with Rosina on Almaviva’s behalf. This convinces Bartolo that “Don Alonso” is indeed a student of the scheming Basilio, and he allows him to give Rosina her lesson. With Bartolo dozing off, Almaviva and Rosina declare their love.

Figaro arrives to give Bartolo his shave and manages to snatch the key that opens the doors to Rosina’s balcony. Suddenly Basilio shows up looking perfectly healthy. Almaviva, Rosina, and Figaro convince him with a quick bribe that he is in fact ill and must go home at once. While Bartolo gets his shave, Almaviva plots with Rosina to meet at her balcony that night so that they can elope. But the doctor overhears them and realizing he has been tricked again, flies into a rage. Everyone disperses.

The maid Berta comments on the crazy household. Bartolo summons Basilio, telling him to bring a notary so Bartolo can marry Rosina that very night. Bartolo then shows Rosina her letter to Lindoro, as proof that he is in league with Almaviva. Heartbroken and convinced that she has been deceived, Rosina agrees to marry Bartolo. A thunderstorm passes. Figaro and the count climb a ladder to Rosina’s balcony and let themselves in with the key. Rosina appears and confronts Lindoro, who finally reveals his true identity as Almaviva. Basilio shows up with the notary. Bribed and threatened, he agrees to be a witness to the marriage of Rosina and Almaviva. Bartolo arrives with soldiers, but it is too late. He accepts that he has been beaten, and Figaro, Rosina, and the count celebrate their good fortune.


The Pittsburgh Cultural Trust has implemented new security and bag policies, effective starting October 1, 2016, at the Benedum Center and their other venues.

You can read their Safety & Security statement, which includes an updated list of prohibited items, and read their Bag Policy, on their website.


Pittsburgh Opera’s annual Student Matinee will introduce 2,500+ school students grades 3–12 to this lively, colorful opera on Thursday, Oct. 19th at the Benedum Center.

Tickets are $12, and are reserved through Pittsburgh Opera’s Education Department. For more information, please email Marilyn Egan, Ph.D., Director of Education, or download our Information Sheet and Reservation Form.

Photo of the exterior of the Benedum Center with a school bus in front of it

Photo by David Bachman