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Music and libretto by Richard Wagner • November 11, 14, 17 & 19, 2023
Benedum Center

Your timbers will shiver.

Every seven years a ghostly ship pulls into port captained by a man known simply as The Dutchman. Condemned to eternally roam the seven seas, only the pure heart of a faithful bride can free The Dutchman from a demonic curse. In a windswept fishing village, he finds Senta, a young woman obsessed with his dark legend. But can this match made in heaven truly save him from his hellish fate?

Wagner’s thunderous score brings this haunting tale to life with all the power of a stormy and turbulent sea.

Pittsburgh Opera is proud to present Wagner’s sweeping epic The Flying Dutchman for the first time in over 20 years.


Sponsored in part by The Gailliot Fund.


Where: Benedum Center, at the corner of 7th Street and Penn Ave, downtown Pittsburgh 


  • Saturday, November 11, 2023 * 8:00 PM
  • Tuesday, November 14, 2023 * 7:00 PM
  • Friday, November 17, 2023 * 7:30 PM
  • Sunday, November 19, 2023 * 2:00 PM
Kyle Albertson photo credit: Rebecca Fay

The Dutchman: Kyle Albertson+

Marjorie Owens photo credit: Simon Pauly

Senta: Marjorie Owens+ (Tues, Fri. & Sun.)

Alexandria Shiner

Senta: Alexandria Shiner+ (Saturday)

Marjorie Owens photo credit: Simon Pauly

Mary: Gretchen Krupp+ (Friday)

Leah Heater

Mary: Leah Heater** (Sat., Tues, & Sun.)

Daniel O’Hearn

Steersman: Daniel O’Hearn*

Peter Volpe

Daland: Peter Volpe

Bryan Register

Erik: Bryan Register+

Conductor: Antony Walker  
Stage Director: Sam Helfrich
Set Designer: Steven Kemp
Projection Designer: Ian Wallace
Costume Designer: Nancy Leary
Lighting Designer: Derek Van Heel  
Wig & Make-up Designer: James Geier
Stage Manager: Cindy Knight
Assistant Conductor: Glenn Lewis
Chorus Master: Mark Trawka
Associate Coach/Pianist: James Lesniak
Assistant Stage Director: Haley Stamats*
Assistant Stage Managers:  Laura Weston and Claire Young

+    Pittsburgh Opera debut
*    Pittsburgh Opera Resident Artist
**   Pittsburgh Opera Resident Artist alumni

Production owned by Opera San Jose
Scenery and props originally designed and created by Opera San José


We want you to have the best experience possible at our performances!

Here are some details and resources to help. Also visit our Opera FAQs or our Accessibility page.


  • Children must be ages 6 and up. Suggestions and tips for bringing children to the opera may be found at
  • All children must have a ticket. There is a 50% discount for kids and teens ages 6-18.


The Norwegian coast, 19th century. A storm has driven Daland’s ship several miles from his home. Sending his crew off to rest, he leaves the watch in charge of a young steersman, who falls asleep as he sings about his girl. A ghostly schooner drops anchor next to Daland’s ship. Its captain steps ashore and, with increasing despair, reflects on his fate: once every seven years he may leave his ship to find a wife. If she is faithful, she will redeem him from his deathless wandering. If not, he is condemned to sail the ocean until Judgment Day. Daland discovers the phantom ship, and the stranger, who introduces himself as “a Dutchman,” tells him of his plight. The Dutchman offers gold and jewels for a night’s lodging, and when he learns that Daland has a daughter, asks for her hand in marriage. Happy to have found a rich son-in-law, Daland agrees and sets sail for home.


Daland’s daughter, Senta, is captivated by the portrait of a pale man in black—the Flying Dutchman. Her friends, working under the watchful eye of Mary, Senta’s nurse, tease Senta about her suitor, Erik, who is a hunter, not a sailor. When the superstitious Mary refuses to sing a ballad about the Dutchman, Senta sings it herself. The song reveals that the Dutchman’s curse was put on him for a blasphemous oath. To everyone’s horror, Senta suddenly declares that she will be the woman to save him. Erik enters with news of the sailors’ return. Alone with Senta, he reminds her of her father’s wish to find her a husband and asks her to plead his cause, but she remains distant. Realizing how much the Dutchman’s picture means to her, he tells her of a frightening dream in which he saw her embrace the Dutchman and sail away on his ship. Senta declares that this is what she must do, and Erik rushes off in despair. A moment later, the Dutchman enters. Senta stands transfixed. Daland follows and asks his daughter to welcome the stranger, whom he has brought to be her husband. Daland leaves, and the Dutchman, who is equally moved by the meeting, asks Senta if she will accept him. Unaware that she realizes who he is, he warns her of making a rash decision, but she vows to be faithful to him unto death. Daland is overjoyed to learn that his daughter has accepted the suitor.


At the harbor, the villagers celebrate the sailors’ return. Baffled by the strange silence aboard the Dutchman’s ship, they call out to the crew, inviting them to join the festivities. Suddenly the ghostly sailors appear, mocking their captain’s quest in hollow chanting. The villagers flee in terror. Quiet returns and Senta appears, followed by the distressed Erik. He pleads with her not to marry the Dutchman since she has already pledged her love to him. The Dutchman, who has overheard them, lets go of all hope and boards his ship. When Senta tries to stop him, he explains she will escape damnation—the fate of those who betray him—only because she has not yet proclaimed her vows before God. He reveals his identity and Senta ecstatically replies that she knows who he is. As his ship pulls away, she throws herself into the sea, faithful unto death.

- Adapted from The Metropolitan Opera


Enjoy these video excerpts of our production of The Flying Dutchman. Videos created and edited by RLG Creations unless otherwise noted. 

View all our Flying Dutchman video excerpts on our special YouTube playlist

Daland (Peter Volpe) and the Dutchman (Kyle Albertson) prepare to set sail for Daland's village to meet his daughter Senta.

The Dutchman (Kyle Albertson) rages that all his schemes to wreck his ship and die have failed.

Mary (Leah Heater) and the girls (Pittsburgh Opera Chorus) are aflutter that Daland's ship has docked and they'll soon be reunited with the crew.


The Pittsburgh Cultural Trust has implemented new security and bag policies, effective starting October 1, 2016, at the Benedum Center and their other venues.

You can read their Safety & Security statement, which includes an updated list of prohibited items, and read their Bag Policy, on their website.