DON GIOVANNI
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DON GIOVANNI
Wolfgang Amadeus Mozart • October 12, 15, 18, 20, 2019
Charming nobleman. Serial womanizer. Sexual predator. Don Giovanni is all these and more. As the list of people out to get him grows longer, eventually his misdeeds catch up with him.
Don Giovanni leaves a trail of broken hearts, and worse, wherever he goes. He has his servant, the reluctant doormat Leporello, keep a journal of Don Giovanni’s many conquests. Completely without morals or a conscience, Don Giovanni sexually assaults Donna Anna, then kills her father the Commendatore, who had tried to come to her defense. He seduces young Zerlina on her wedding day. But all actions have consequences, as Don Giovanni is soon to learn.
An irresistible classic, Mozart’s Don Giovanni seamlessly combines comedy and tragedy with one of the great musical scores of all time to create one of the world’s favorite operas.
Music Director Antony Walker conducts; Kristine McIntyre directs.

Photo by David Bachman Photography

Photo by David Bachman Photography

Photo by David Bachman Photography

Photo by David Bachman Photography

Photo by David Bachman Photography

Photo by David Bachman Photography






CAST AND ARTISTIC TEAM



Craig Verm**: Don Giovanni

Corrie Stallings**: Donna Elvira

Musa Ngqungwana: Leporello

Kang Wang+: Don Ottavio

Brian Kontes: Commendatore

Tyler Zimmerman*: Masetto

Antonia Botti-Lodovico*: Zerlina
The Artistic Team
Conductor - Antony Walker
Stage Director - Kristine McIntyre
Set Designer - R. Keith Brumley
Costume Designer - Mary Traylor
Lighting Designer - Marcus Dilliard
Wig and Make-up Designer - James Geier
Stage Manager - Cindy Knight
Asst Conductor - Glenn Lewis
Chorus Master - Mark Trawka
Associate Coach/Pianist - James Lesniak
Asst Stage Director - Matthew Haney*
Asst Stage Manager - Alex W. Seidel
Asst Stage Manager - Jinah Lee
+ Pittsburgh Opera debut
* Pittsburgh Opera Resident Artist
** Pittsburgh Opera Resident Artist alumni
Scenery and Props for this production constructed by Lyric Opera of Kansas City.
Costumes for this production were constructed by Kansas City Costume Company.
DETAILS & RESOURCES


We want you to have the best experience possible at our performances!
Here are some details and resources to help. Also visit our Opera FAQs or our Accessibility page.
- Run time:
- Act I – 81:45 (1 hour, 21 minutes, 45 seconds)
- Intermission 20:00
- Act II – 68:00 (1 hour, 8 minutes)
- Total Running Time – 2 Hours, 50 minutes
- Special effects notice: offstage gunshots (shooting blanks), herbal cigarettes, and dry ice are used in this production
- Understand Every Word: Don Giovanni is sung in Italian, but has English supertitles projected above the stage at all performances
- Download the Don Giovanni Program Book (PDF)
- Download the Don Giovanni study guide (PDF)
- Parking Downtown: get real-time parking availability
- Audio Description
- Braille Programs available
- Large-Print Programs available
SYNOPSIS


Setting: America, 1950’s
Act I
At night, in the street outside the Commendatore’s house, Leporello bemoans his fate working for the dissolute Don Giovanni. Suddenly Giovanni runs into the street pursued by Donna Anna, the Commendatore’s daughter, who accuses him of trying to attack her. The Commendatore rushes to his daughter’s aid and is killed by Giovanni. Anna asks her fiancé, Don Ottavio, to avenge her father’s death.
At a café the next morning, Giovanni and Leporello encounter one of Giovanni’s former conquests, Donna Elvira, who is still angry at Giovanni’s betrayal. Leporello tries to discourage her from pursuing Giovanni by showing her his catalogue with the name of every woman Giovanni has seduced.
Meanwhile, Masetto and Zerlina celebrate their upcoming wedding with friends. Don Giovanni asks Leporello to get rid of the groom. Alone with Zerlina, Giovanni persuades her to come away with him. Before they can leave, Elvira interrupts them and leads Zerlina away. Momentarily thwarted, Giovanni greets the mourning Anna and Ottavio, only to be embarrassed by the persistent Elvira, who denounces him as a seducer. Trying to dismiss her as a madwoman, he ushers Elvira off. Anna, in horror, recognizes him as her father’s murderer and calls on Ottavio to avenge her honor.
Later that afternoon, Giovanni looks forward to an evening of partying he has arranged in Zerlina’s honor. Zerlina begs the furious Masetto to forgive her. Anna, Ottavio and Elvira arrive in disguise, swearing vengeance, and Giovanni tells Leporello to invite them in.
Inside Giovanni’s nightclub, Leporello distracts Masetto while Giovanni dances with Zerlina, trying to drag her into an adjoining room. When Zerlina cries for help, Anna, Elvira, and Ottavio unmask and confront Giovanni, who escapes.
Intermission
Act II
Under Elvira’s balcony, Leporello exchanges clothes with Giovanni to woo the lady in his master’s stead. Leporello and Elvira go off, leaving Giovanni free to serenade Elvira’s maid. When Masetto arrives with his friends to punish Giovanni, the disguised Don tricks Masetto and beats him up. Zerlina tenderly consoles him.
Elvira follows the disguised Leporello into a dimly lit church. Leporello tries to escape, but is discovered by Anna, Ottavio, Zerlina and Masetto. Mistaking servant for master, they join in denouncing the supposed Don. Frightened, Leporello reveals his identity and manages to escape. Ottavio asks Zerlina and Masetto to comfort the distraught Anna and go to the authorities for help. Left alone, Elvira thinks about her love for Giovanni in spite of everything.
Leporello finds Giovanni in a cemetery, where a statue of the slain Commendatore warns Giovanni of his doom. The Don forces the terrified Leporello to invite the statue to dinner only to be surprised by the Commendatore himself.
Ottavio urges Anna to stop grieving and accept his love. She implores him to wait until her father is avenged.
Late that night in the empty club, Giovanni orders Leporello to serve supper. Elvira arrives and attempts to persuade Giovanni to reform his ways, but he sends her away.
In a final confrontation with the Commendatore, Giovanni is finally forced to pay for his crimes.
-Courtesy of Kristine McIntyre
PREVIEWS AND REVIEWS


- OperaWire: Pittsburgh Opera To Open With ‘Don Giovanni’
- Pittsburgh Post-Gazette: Fall Arts Preview: Classical music events to note
- Pittsburgh Current: Fall Stage And Performance Guide 2019
- Trib Live: Pittsburgh Opera’s season lineup spans centuries
- Pittsburgh 100: Mozart’s ‘Don Giovanni’ opens Pittsburgh Opera’s new season
- Pittsburgh Current: Pittsburgh Opera Opens Season With Film Noir “Don Giovanni”
- Broadway World: Photo Flash - a first look at Pittsburgh Opera's Don Giovanni
- Trib Live: Entertainment planner: Oct. 3-16
- Pgh In The Round: Director Kristine McIntyre’s “Film Noir” Take on a Mozart Classic to Open Pittsburgh Opera’s 81st Season
- The Urban Twist: Q&A w/ Pittsburgh Opera ‘Don Giovanni’ Director Kristine McIntyre
- NEXT pittsburgh: 23 cool things to do this weekend in Pittsburgh
- Trib Live: Pittsburgh Opera’s ‘Don Giovanni’ still relevant today
- Opera Gene: Pittsburgh Opera's 2019-20 Season: Blockbusters and a new app starting Saturday
- WQED-FM: Voice of the Arts podcast interviews:
- Pittsburgh Post-Gazette: Review: In Pittsburgh Opera's 'Don Giovanni,' a noir spin proves arresting, thought-provoking
- Pgh In The Round: Pittsburgh Opera’s “Don Giovanni” a Dazzling Opening Night Delight
- Entertainment Central Pittsburgh: Sex and Violence on a Mythic Scale: ‘Don Giovanni’ at Pittsburgh Opera
- Broadway World: Photo Flash: Pittsburgh Opera's Don Giovanni
- The Duquesne Duke: Pittsburgh Opera masterfully tackles classic
- The Downtowner: Review: The Pittsburgh Opera Presents Don Giovanni
- Empty Nest Blog: Day 348- Pittsburgh Opera-Don Giovanni
- WESA-FM: Left To Their Own Devices: Opera Rolls Out Live Mobile App With Audio
VIDEO EXCERPTS


In the famous 'catalogue aria', Don Giovanni's servant/henchman Leporello (Musa Ngqungwana) tells Donna Elvira (Corrie Stallings) about the long litany of women his boss has seduced.
Don Giovanni (Craig Verm) woos Zerlina (Antonia Botti-Lodovico) with false promises.
Don Ottavio (Kang Wang, making his Pittsburgh Opera debut) vows revenge on Don Giovanni.
Zerlina (Antonia Botti-Lodovico) tries to mend fences with her fiancé Masetto (Tyler Zimmerman), who suspects her of being involved with Don Giovanni.
BENEDUM CENTER SAFETY & SECURITY STATEMENT AND BAG POLICY


The Pittsburgh Cultural Trust has implemented new security and bag policies, effective starting October 1, 2016, at the Benedum Center and their other venues.
You can read their Safety & Security statement, which includes an updated list of prohibited items, and read their Bag Policy, on their website.